The Jew as dangerous other in early Italian cinema, 1910-1914

Owen, Gerwyn Glyn (2014) The Jew as dangerous other in early Italian cinema, 1910-1914. PhD thesis, Prifysgol Bangor University.

[img] Text
Scanned Declaration Owen.pdf
Restricted to Repository staff only

Download (149kB)
Owen, Gerwyn Glyn.pdf

Download (7MB) | Preview


My thesis examines imagery of the Jew in four Italian silent fils: Il mercante di Venezia (Gerolamo Lo Savio, 1910), L'Inferno (Francesco Bertolini, Adolfo Padovan, Giuseppe de Liuoro, 1922) Quo Vadis? (Enrico Guazzoni, 1913) and Cabiria (Giovanni Pastrone, 1914). The thesis deconstructs this filmic imagery and traces its history back to medieval and Renaissance representations of the Jew. This process reveals connections between traditional anti-Jewish ideologies and the moving images of early Italian cinema. In so doing, my thesis demonstrates that there is a powerful relationship between the socio-political and relifious discourses that were in circulation before the First World War in Italy and the presence of anti-Semitic stereotyping in these films. It also argues that the image of the Jew in all of these filmic case studies functiones as a representation of the radical dangerous Other that threatens the unity of the citizenry of the nationstate of the Kingdom of Italy and the cohesion of the Liberal Italian society at a key time of new nation building.

Item Type: Thesis (PhD)
Subjects: Degree Thesis
Departments: College of Arts and Humanities > School of Creative Studies and Media
Degree Thesis
Date Deposited: 24 Jun 2015 09:06
Last Modified: 15 Aug 2016 14:57
URI: http://e.bangor.ac.uk/id/eprint/4674
Administer Item Administer Item

eBangor is powered by EPrints 3 which is developed by the School of Electronics and Computer Science at the University of Southampton. More information and software credits.